The Black Keys, Beck, Under the Influence of Giants, The Killers
Despite a boatload of music by the Black Keys bestowed on me by Mike this sunday, I bought a bunch of music on Tuesday.
The Black Keys
Okay, they're not new, and i'm not talking about a new album, but I just heard a bunch of their stuff.
I don't absolutely love them, but they are good. The songs tend to sound the same. I thought they'd be more inventive, but instead they're just good at what they do and they do it every song. The nice news for me is that they sound good live and I will be attending their Philly show with Mike, Vicki, and my lovely wife in November. And we will have a good time. But I won't throw my underpants up on stage. [yes, I used "good" four times in 4 sentences.]
Beck
Good tracks: Elevator Music, Cellphone's Dead, Nausea
Bad tracks: Soldier Jane, Dark Star, Motorcade
I had heard about the new Beck album, The Information, about 2 months ago and promptly lost track of time. In a nice surprise, it came out Tuesday and I immediately downloaded it, hoping for something more inventive and consistent than Guero. I found that CD to contain a couple of classic Beck tracks (E-Pro, Que' Onda Guero, and Hell Yes), but otherwise it was kinda flat and petered out towards the end.
Unfortunately, The Information is not much better. In fact, there aren't any amazing tracks that bring back the elated feelings upon hearing "Hollywood Freaks," "The New Pollution," or even the meloncholic glee of Sea Change as a whole. On the plus side, many of the songs' vocals are in the fun, Beck-rap style that has lead to some great lines (that of course have no meaning). On the negative side, the songs themselves lack development. And I blame Radiohead-producer-extrodinaire Nigel Godrich. And Scientology.
First Godrich. He's responsible for the peak of Radiohead's greatness -- an engineer on The Bends, and producer of every album since then, including the perfection that is OK Computer and the shuddering mess of gold dabloons & vomit that is Amnesiac. He's also produced 2 Beck albums, both of which were acoustic efforts and still felt more like Beck productions than Godrich productions. The Information feels more 'marked' by Godrich because too many of the songs seem focused on straightforward rhythms (not mixed DJ beats) that prevent the songs from going Beck-crazy. The first half of the CD has some good moments, but the second half meanders, particularly on "New Round" and "Dark Star." The final 10 minute track might be more interesting if the CD were not bloated with 15 tracks. By the time the final track starts, I'm already not listening.
I blame Godrich for part of this because he seems to have inspired Radiohead to do the same thing -- meander along consistent drum beats that never change. Sure, Hail to the Thief has a couple of classic Radiohead constructions -- you know, the 'Creep' structure: slow building to wale and screaming and coming down again. Perhaps disillusioned Radiohead fan Rob said it best. Upon hearing Hail to the Thief he asked: "Where are the songs???!!!". The new material showcased by RH on their latest tour still has that undeveloped quality, where the music layered over the unchanging drum structure is supposed to be interesting, even over 4-5 minutes. It just ain't happening. And Beck seems to have fallen into that trap on a few tracks here (and on Geuro -- "Girl" & "Black Tambourine" come to mind immediately).
As for Scientology, the only real crime I can charge them with (besides being a ridiculous cult) is that they isolate their members. And for Beck, isolation is bad. It cuts down on the randomness of his music and his lyrics. There seems to be no centrifugal force pulling his songs into various genres.
I just recently learned that Beck was raised a Scientologist and his parents have been members since the late 60s. Beck left the 'church' in 89 and the 90s contained his creative explosion. If you look at Midnight Vultures, you hear the lyrics of a guy who has seen some crazy shit as a result of becoming famous. The album is dubbed a party-album, but it's essentially a critique of excess partying. It's all weird sex, drugs, and rock n' roll via Prince music. After his breakup with a long time, non-Scientologist girlfriend around 2000/2001 his lyrics have remained cryptic, but they've become less worldly. now, Beck's lyrics never made much sense -- a great Futurama episode starring Beck features him asking what the hell "Devil's Haircut" is about. But there's something less alive about Guero & especially The Information. I would like to believe that there is a conceptual reason for this change. But it's hard to look past the fact that he's back in the arms of Scientology, married to one, donating $ to it, and finally admitting to membership after dodging the question for years.
I have a personal standard of giving an artist 2 shitty albums before I cease buying their albums upon release. Beck has had 2 almost shitty albums. Next time, i'm downloading an illegal copy to see if I don't mind my 12$ going to the Travolta cult.
Under the Influence of Giants
Good tracks: Got Nothing, In the Clouds, Stay Illogical, Mama's Room
Bad tracks: the last few don't stand out
The album of the same name by this band from the planet earth (really, this isn't Pitchfork or Rolling Stone, i'm just here to ramble, not give useful information) is unsettling. Not in a Mr. Bungle or Tool way. The album is upbeat to the point that I thought I had accidently stumbled into the Pop or Dance section of iTunes Music Store. No -- iTunes has called it alternative, but the falsetto, the 80s beats, the occasional synth had me concerned that my snobby music reputation might be in jeopardy. I'm over it. The album is infectious. It's kinda like the first Franz Ferdinand album, but only in the feeling that all the songs are jumpy (in a good way). I imagine the singer's voice might be one of those make or break features, but I suggest all of you listen to some samples. And since its a first album (from what I can tell) buy it if you like it. Once they've gotten rich, then download it for free.
The Killers
Speaking of neu-80s music, the new Killers album is out. I'm not a huge fan of their first album. But over the past few months I've listened to it more and found some songs that I like. Upbeat tempo, some silly lyrics, but nothing too bland. The new album, though, feels bland. But considering it took me years to finally listen to the first album, I could just be hard to win over. And since Under the Influence of Giants has had the bulk of my attention since Tuesday, I can't really make a final judgment here.