In Rainbows (not that anyone really cares about anything)
That's right. None of you care. You're all careless. Or carefree, even. Like the sugarless chewing gum.
But here's what I think anyway. Song-by-song, just like all the nerds like it.
15 Step -- I read an interesting suggestion that this tune is about the band's deteriorating relationship with their record label (which lasted 15 years). Not sure if that's true. and yorke's lyrics have gotten almost purposely cryptic since OK Computer (at least I sorta know what he's talking about there). Anyway -- when I first started the album I said, out loud (even though no one was home except Sable) "Oh come on!" I still can't believe they are using digital drums. Fortunately, Phil's real, superior drums kick in eventually and end up all over the album. but this song is a sign that Yorke still has too much control over the music sometimes. His solo album was all digital everything and I feel like he should have gotten it out of his system by now. This track feels small -- like they recorded everything in a bathroom without that awesome bathroom echo. Despite my complaining, it's a decent track.
Bodysnatchers -- one of the best songs from their live gigs from last year and one of the best tracks on the album. It's fast. It's got fuzzy guitars. It's got Yorke shouting stuff. I wish the rest of the album had this much intensity. In fact, I was expecting it to (see: Reckoner).
Nude -- the biggest letdown. Not a bad song, but it's an old song (OK Computer era, if I recall) and there are countless live versions from back then and last year that are better than what's on display here. The live version had a xylophone. Here they let Yorke croon his falsetto instead. If the rest of the album weren't so falsetto-happy, it wouldn't be so bad. But this is a bland album version of a song that's essentially a junior "How to Disappear Completely" (from Kid A). Still, you can't hate a song with the lyric "You'll go to hell for what your dirty mind is thinking."
Weird Fishes/Arpeggi -- bad title. they should have just changed it to "Weird Fishes". It's a good song, though. It follows an aggressive arpeggio (get it???) throughout. Lyrics are silly, as to be expected at this stage of the game, but ultimately it's a decent track. Not nearly as fast as you'd want after the plodding "Nude" but what the hell.
All I Need -- did you ever expect Thom Yorke to sing "You're all that I need"? Well, maybe you did since he says a few lines later "Your all that I need / I only stick with you / because there are no others." This is a track I was convinced would end up as a b-side when they played it last year (yeah, i've heard all but 1 song from this album live).
Faust ARP -- another dumb title, but the song is interesting. Pretty much straight arpeggio (again! that ARP probably means arpeggio!) with vocals that leave Thom with no room to breath. The lyrics here also suggest a sunnier attitude from Yorke: "Wakey wakey / rise and shine / it's on again / off again / on again..." but, by the end we're back where we'd expect: "You've got a head full of feathers / you got melted to butter."
Reckoner -- a song that went through at least 2 versions during it's live life -- the first was a simple, rocking track with only a few words, most of said words being: "Reckoner -- pa pa pa!" It then became a more acoustic friendly track that didn't lose it's energy, but became more menacing: "Feeling pulled apart by horses...." there's also some great chanting vocals at the climax of the song. But not in this version -- we're still in plodding mopeville territory. Not that I don't mind it, but if you'd heard the menacing version, you'd wish that the album version just had another title. This is almost all falsetto, too.
House of Cards -- "I don't want to be your friend / I just want to be your lover." probably some of the worst lyrics from Yorke in a long time ("Prove Yourself" & "How do You" from Pablo Honey come to mind) this one has the happy family vibe except that its called "house of cards" and the cards, of course, "fall off the table / and get swept under". The metaphor is so tired. and Yorke says the title about 8 times in the song. the music is akin to elevator music -- silent chords with some background fast guitar picking. There are sound effect swells that recall "Nice Dream" from The Bends, but it's not enough to overcome the feeling of boredom created. There's a nice vocal melody. I can't figure out why this song made the album and 4 minute warning didn't (although 4 minute warning did make the bonus disc).
Jigsaw Falling into Place -- the other upbeat track that makes the middle of the album just one big jelly sandwich of mumbling gloom. This is the kind of fun radiohead stuff that really stands out. "What's the point of instruments / words are a sawed off shotgun" that's more like it. And yet, the song actually seems to be describing an encounter in a night club. strangers in the night. that kind of thing. is Yorke getting soft and all emo on us? maybe.
videotape -- another great live track that seems to simple when recorded. There's a great use of drums during the ending, but the song never falls apart in cacophony like on National Anthem nor does it fade out like on Motion Picture Soundtrack. The vocals are good, the piano marches, drunk, much like pyramid song. It's an okay closer, but considering the lack of energy on much of the album, it seems like one more example of what we've already heard. I think All I Need would have made a better closer, actually.
Anyway, that's all for now. I'll review the bonus disc for my own amusement when it arrives sometime in december (was there any doubt I'd drop 80$ on this?) That's 8 more songs. however, since there were 2 disappointing versions here, I may not be completely awed by their effort. The gag is that I've listened to In Rainbows over 20 times already (possibly over 30 once i update my iPod, thanks to a 3 hour car ride from Camden to Newark last week). But I think most of you understand what kind of fan I am of Radiohead. I find everything they do interesting, even when they let me down. I will say that I like Hail to the Thief more than In Rainbows, but mostly because the prior album's biggest problem was that it was too long (Scatterbrain, Sit Down Stand Up, We Suck Young Blood could have been cut). So, at least they included their best songs on that album. But I fear that the backlash at the length of that one caused them to get overly cautious here. 10 songs + an 8 song bonus disc? I suspect I'll be creating a 1 disc version much like when Amnesiac came out and 3 of the b-sides were better than 3 of the album tracks.....
I'm such a fucking geek.
